I needed a break. It had worn me out to concern myself, hourly, with depressing events that had no immediate and direct influence on my life and which I could not control in any way. So three weeks ago I decided to stop checking the news online and my virtual world became peaceful.
Back from holiday, I was excited to find the new Eye Magazine in my post box – with my review of the exhibition “Masse und Klasse: Graphic Design in the GDR” on page 86. If you are in Berlin and have not seen the exhibition, you still have until August 29, 2016 to visit the Werkbundarchiv – Museum of Things and catch a glimpse of the everyday visual culture of East Germany. The finissage will take place on Saturday 27 with an expert talk about GDR records. See you there?
The Goethe-Institut asked me to design the identity for a new project that just launched as a transnational collaboration in Southwest Europe. Under the heading „Hausbesuch“ (home visit) ten well-known authors from Portugal, Spain, France, Luxembourg, Belgium, Italiy and Germany are invited to private homes across fifteen cities to eat, drink, read and get talking. More about the project on the website of the Goethe-Institut Nancy.
Proud to be part of the upcoming exhibition: 100 YEARS OF GRAPHIC COMMUNICATION BY WOMEN AT CENTRAL SAINT MARTINS from 16 February – 23 March 2016 at Central Saint Martins, 1 Granary Square, London, NC1 4AA Continue Reading →
On November 12th, 2015, the bridge installation by Rose Epple and Alex Valder has opened in picturesque Feldkirch. The event kicked-off the Montforter Zwischentöne, an innovative music festival, which focus this time round is on the topic of “Faith”. For two weeks, citizens of Feldkirch and visitors attending the festival, will have 30 seconds to meditate on existential questions while crossing the light tunnel over river Ill. Continue Reading →
During my recent talk at Central Saint Martins College of Art & Design in London, I mentioned my sense of wonder and liberation when I came to study there. “I am feeling the same”, a young German student told me after the lecture. Like me, she had come on a scholarship and had already experienced a few years of German design education. Like me, she was dreading to go back. So what is it that makes British design education for people like me so different, so appealing?
Haushaltsmesse 2015. The art of housekeeping and budgeting in the 21st century | A project of the Bauhaus Dessau Foundation in the masters´ houses from June 12 to August 9, 2015 | curators: Regina Bittner, Elke Krasny | project management: Katja Szymczak | design: Rose Apple with Wolfgang Schneider | For more information on the project click here.
The Fotomuseum Antwerp is always aiming to further improve their visitors experience. For fresh input, they invited students from the Media and Information Design MA of Sint Lukas Brussels to explore new ways of engaging people with their collection. I had the pleasure of leading the two-day workshop on-site.
Brussel´s palace for the arts BOZAR is hosting We-Traders. Swapping Crisis for City exhibition until April 12, 2015. Five new Brussels initiatives have joined We-Traders from Madrid, Turin, Berlin, Lisbon and Toulouse to widen this European panorama of active citizenship. The Art Deco building by Victor Horta (1928) is a fantastic place for the last stop of the We-Traders platform, because it puts them where they belong: right at the heart of the European capital.