How to exhibit literature or more specifically Goethe’s famous coming-of-age novel ‘Wilhelm Meister’ ? That was the question put to seven renowned exhibition makers at a conference in Frankfurt in 2009. Being one of the few designers in an illustrous group of mainly literature experts, I suggested to show the book as an object.
The form of the text obviously being something different than the text itself, I was curious what a comparable study of different editions of the books would reveal not only in terms of design and cultural history, but possibly also about the interpretation and literary status of the novel at different times. Feeling slightly guilty for still not having read the book, I was nonetheless delighted to be invited to test and present this approach in the ensuing group exhibiton at the Frankfurt Goethe-House.
The Anna Amalia library in Weimar collects every new edition of Goethe’s works and posesses some of the original and very early editions and so was the ideal starting point for my research. I spent three delightful days in the very fine and welcoming library and examined 50 different editions of the novel, starting with the first edition from 1795 right up to a contemporary one of 2007. I weighed and measured, analyzed page layouts, identified lettertypes, compared title pages and endpapers. The findings were then organized in chronological order in nine exhibition books: The book of book covers, the book of typography, the book of layouts e.t.c..
© chezweitz & roseapple, photos: Isabel Prugger and Edgar Khandzratyan
© Rose Epple, 2020