What makes things erotic? An exhibition in the Museum of Things, Berlin, presents a wide range of objects with an erotic dimension – some intentionally, others due to our vivid imagination. Continue reading “Erotic Things”
The Werkbundarchiv – Museum of Things and guest curator Ece Pazarbaşı invited its neighbours to select “unknown” objects in their vast collection and collectively assemble this exhibition of 65 enigmatic things. They serve as talking points to participants and visitors alike, with the aim to collectively generate a pool of knowledge that goes beyond the conventional museum wisdom. Come and share your knowledge as well until September 25, 2017. Continue reading “Cabinet of the Unknown”
The masters’ houses in Dessau – built by Walter Gropius for the Bauhaus Masters in 1926 – were used as object lessons to promote Bauhaus ideas of modern living and household management. For the ‘Household Fair 2015‘ of the Bauhaus Dessau Foundation they serve as a point of departure for the investigation of contemporary housekeeping and budgeting issues. The fair comprises historic material as well as contemporary artistic positions and research on the household as a modus operandi ranging from the individual house to the entire world. It was my pleasure to design the visual identity, signage and exhibition graphics for the Haushaltsmesse 2015.
Haushaltsmesse 2015. The art of housekeeping and budgeting in the 21st century | A project of the Bauhaus Dessau Foundation in the masters´ houses from June 12 to August 9, 2015 | curators: Regina Bittner, Elke Krasny | project management: Katja Szymczak | design: Rose Apple with Wolfgang Schneider | For more information on the project click here.
Some people thought it was a mistake when they received the empty envelope. They called up the sender, the city of Halberstadt, to be told that this envelope was indeed their invitiation to the opening of “Discover the vo d”. The callers had interpreted the void as the absence of something and they wanted to fill that empty envelope, just as one automatically fills in the missing letters of the exhibition title. The invitation had triggered the mental process which the exhibition was exploring.
My favourite graphic designer in the Bauhaus is László Moholy-Nagy. Graphic design was just one of many areas he was working in (check out his Light-Space-Modulator above), and his layouts often seem a trifle inelegant and akward. But when it comes to translating ideas into graphic compositions, he is the boldest and the most inventive and engaging. He is trying to tell you something and he wants you to UNDERSTAND that something. That is because he could be your great-great-grandfather. He was born in 1895.
Scenography is per se an area where a multitude of disciplines come to work together. In order to create a compelling exhibition experience for the visitor you have to consider space, movement, objects, words, orientation, surface, light, sound, emotions, products and the translation of physical space into printed matter and digital space.
From years of trying to find the right person to write adequately about our exhibition designs, I know how difficult it is to describe the design of a room with words. In my opinion, the writer needs to accomplish three things:
How to exhibit literature or more specifically Goethe’s famous coming-of-age novel ‘Wilhelm Meister’ ? That was the question put to seven renowned exhibition makers at a conference in Frankfurt in 2009. Being one of the few designers in an illustrous group of mainly literature experts, I suggested to show the book as an object.